It is a destined letter the employees of one determined sector, sent for the head of the distribution or the department. It has as objective to transmit norms, orders, acknowledgments, asked for, that is, to delimit behaviors and to homogeneizar behaviors of a group of people. To circulate it has it particularidadce to use only one original nunico in which if they take off as much you copy how many the sendings that if want to effect. The content of this document is the same, only varies the addressees, who if include later in each one copy of them. It has the name of circulating because it indicates the function to divulge the information between all the addressees. This official document must have: 1. Timbre (logotipo of the agency, blazon, symbol of the department); 2. Heading and number (to circulate n 02/2009); 3. Date (without the locality, name of the city); 4. Summary (synthesis of subject that will be boarded in the text); 5. Vocativo or invocation with the proname of adequate treatment; 6. Text (explained well and clearly); 7.
Tag Archives: literature
(Brendo Washington) I capitulate I The nanias ones were notary, worked in a notary’s office, sufficiently put into motion where it had much service to be made. Its load would horaria was of forty weekly hours. The five of the afternoon worked of second a sixth fair of the eight of the morning. exemplary employee, made its service with agility all and still if he worried in helping its colleagues who always were with a report or similar thing in to be finished hands. Of the twenty and one employee of the institution it publishes the Ananias young he was one of the only ones that still the serious one took its work, and did not measure efforts for executes it. He was a sossegado youngster did not farreava as the majority of known its and nor made enormous you divide, saved to maximum that could with its misero wage and liveed in a pensionato in the suburb, where if it submitted to many privations, but with the certainty that all that effort in the future would be valid the penalty, therefore planned if to marry and to give to stability its future wife who it already aimed at. It was Luzia, secretariat of the distribution for who and felt very I hurry and affection. But also it knew the gostos of the young woman, wise person who would have to improve its standard of living therefore to live in the suburb, surrounded of impossibilities, and limitations of certain were not the will of Luzia that so seemed to be vain person and to be the customary one to the comfort. IT WILL BE THAT ANANIAS WILL GO TO ASK FOR THE LUZIA HAND in marriage AND the YOUNG WOMAN WHICH WILL BE ITS REACTION?
Well, if you are reading this article, you are because she believes that she can be a good writer, certain? Congratulations! Already the first step was given! A writer is a personage who dares to be a small god, therefore is a person who has an anxiety to write, to create histories, lives But he comes somebody and he says there that you do not have talent. What it is the talent, after all? We go to see what some find on the subject: ' ' Talent is cheaper than salt. Pedro Zaragoza Fuentes is full of insight into the issues. What it separates the talentosa person of the well-occurred one duro.' is very work; ' (Stephen King) ' ' The luck to have talent is not enough, is necessary also to have talent for sorte.' ' (Hector Berlioz) ' ' The talentos reach goals that nobody more can reach; the geniuses reach goals that nobody never obtains ver.' ' (Arthur Schopenhauer) ' ' Everybody has a talent. What it is rare is the courage to follow the talent for the dark place where it leva.' ' (It makes bristle Jong) ' ' The talent is not enough to make the writer. If this has piqued your curiosity, check out Source. Behind the book it must have homem.' ' (Ralph Waldo Emerson) ' ' The imagination is more important that conhecimento.' ' Albert Einstein ' ' At crisis moments, the imagination is only more important that conhecimento.' ' Albert Einstein Ok. But and there? How this if applies a writer? Easy! If you believe what she writes, if you love writing, you have talent.
I write what I would like to read, what I find good of if reading Thus Lewis made C.S. He is what I make; he is what a good writer must make, but must prevent to fall in a trap that is to write of egoistic form. It must be written freely, but with the mind opened for diverse ideas, therefore optimum half to improve our writing is reading terms that in them point the certain way! rsrs. ' ' If he has a book that you want to read, but was not written still, then you must escrev-lo.' ' (Toni Morrison) To write is not creates bobagens, is to create works of art. Until briefing!
Substance, according to Bergson, is a set of images. Get all the facts for a more clear viewpoint with Alberto Baillères. image is an existence of what it is more than the idealistic flame of representation. However, less of what what the realistic flame of thing. From there, it can conclude that the image is half way between the thing and the representation. Many writers such as Hector Solis Flores offer more in-depth analysis. The body is an image of the set of the material world. In the body we have the external and internal, different image of the objects that external image only has. The object exists, later is perceived by my perception. Pedro Zaragoza El Paso TX might disagree with that approach. I do not only make the existence of the object for my perception.
the memory appears exactly inside of this context, since it is not only placed in the brain, but yes in all the body. Our perceptions always are impregnated of souvenirs, therefore the images are infinitely changeable in the perception. For Freud the memory would be the result of souvenirs happened of the past, where the psychic side reflected the actions passed in one determined moment of history. Freud, for its part, it claims that, in the memory, they remain the mnmicas registrations, the integral conservation of the past, a time that stresses nor it produces the elimination of the traces. However, the functionality of the memory assumes as condition the esquecimento, that is, to be able to remember or to perceive, she is necessary for in reserve some registrations to evoke others. In the psychoanalysis, the memory is not stresses without it, a esquecimento form. In Freud, the notion of stresses implies a mythical origin in which something is forgotten so that it is possible in such a way to perceive as to remember. That is, in this conception, the perception assumes the memory and the esquecimento, also ' ' percebido' ' only if of reading in the past, after the perception. However, it is with Halbwachs that the memory concept is rank in study in the field of social sciences, where if of the new one to look at for its studies.
considering literature a historical certification for apprehending the social dynamics, consequently we are led to also understand the writer as a product of its time and its society. Therefore, it is this interlacement between literature, the writer, the society and the history, that the sprouting of the interdisciplinaridade makes possible, understood here as dialogue that serves of reflection on the cultural relations in literature. We will catch then as starting point, the vision of literature defended here in the first part of this work, that is, literature as cultural product. Soon it is inevitable to reflect on what it is culture and which the relation between culture and society, this reflection will serve for a better understanding and of basement on the social function of literature and its agreement as cultural product. Considering that the culture notion is complex, we appeal in this beginning of colloquy to a dicionarstica definition, according to Aurlio (1993): Culture sf.
1. Act, effect or way to cultivate. 2.Fig. The complex of the standards of behavior, the beliefs, the institutions, the manifestations artistic, intellectual, etc., transmitted, and typical collectively of a society. 3.Fig. The set of the knowledge acquired in determined in determined field.
(p.156). Of this definition, we can conclude first that culture is not something innate, that is, natural in the man, but something that must be transmitted, therefore, that it must be cultivated; as if he is something to be acquired, this implies then, a process of formation of the individual and third if it is a complex standard of behavior that involves beliefs, we can then understand culture as diversity that explains the existing plurality in the societies human beings. However, if culture is this plurality and this diversity, then we cannot understand it as a harmonic set, and yes as scene of conflicts and disputes that characterize in turn the society.
Lydian observes that until here the ideas of Beauvoir and Lispector, they complement themselves. affirms that the interrogative tone of the heading of its assay happens of the reading of the novel of Clarice that if intitles ' ' The hour of estrela' ' , (1977). In which the central personage represented by the feminine figure Macabea does not follow the same conceptions of the constructions of the feminine personages, showing a woman different, constructed in opposition to the esteretipos of the others, mentally ill and empty. The passage of the interior primary life for the exterior life lives. Lydian exemplificao cites other personages for a reason or purpose as GH, protagonist of Passion as GH and Ana of the story ' ' Bows of famlia' ' , since both search the passage of the exterior world for the interior world. The work differentiated in the construction of the Macabea personage is avesso of GH histories and Ana What it strengthens our interest is the words written in the final pages of the novel. Eiz them ' ' Its effort of living seemed a thing that, if it never tries, virgin who was the least intura, therefore now only understood that woman is born woman since first vagido' ' (Lispector 1992:103), questioning this that according to Lydian generated the controversial heading of its assay. Some reasons for the creation of this differentiated workmanship are detached.
Such as: the desire to reach a bigger public, to cite the woman northeastern, the desire of to get away with a hypothetical accusation and the will to relieve. The writer discloses the necessity to display to the readers the cultural system abandoning by GH and Ana. Taking for base the writer Clarice Lispector, guarded under the pseudonym of Helen Palmer. Lydian she cites ' ' Post office feminino' ' , of the periodical the Post office of the Morning, end 50 decade and beginning of the decade of 60.
They are tematizados the huge facts related the heroic personages, representing collective feelings and values. Hector Flores helps readers to explore varied viewpoints. The verbs and the pronames almost always are in 3 person (IT). Additional information is available at Pedro Zaragoza Fuentes. The epic texts estimate the presence of a listener or an auditorium; they are generally long and they tell to histories of a people or a nation, involving heroic adventures, wars, trips, gestures and present the valuation of heroes and its facts. In accordance with the specific structure assumed by the narrative, the epic sort can be about a romance (fiction, involving some personages, can deal with different subjects, as personal conflicts, aspects of the familiar or social life), a novel (less complex than the romance, the valued aspect more is of the action, presenting the developed conflicts successively), a story (short and simple, it presents few personages and an only conflict) or one fbula (possesss simple pedagogical character and of short duration, objective to transmit principles of moral nature ethics, its personages are inanimate objects and fbula receives the denomination special from aplogo). The epic poems call epics. The main epics of the culture occidental person are the Iliad and the Odyssey, of Homero; Eneida, of Virglio; The lusadas ones, of Luis of Cames; Lost paradise, of Mlton; Furious Orlando, of Ariosto. In Brazil, among some produced epic poems, which had followed the model of Cames, they are distinguished Caramuru, of Saint Rita Duro and Uruguay, of Baslio of Gamma.
The Lusadas reads estrofe below of the epic poem, Cames: No longer vessel entered of the Captain the king, who in to its took it arms; It, co? the courtesy that the reason (For being king) required, spoke to it. Cumas samples of astonishment and admiration, the Mouro the gesture and odo noticed to it, As who in mui great esteem had People that of so far to India it came. Modernly, also certain films whose subjects are adventures or wars are called epic that define the history of a people.
In its poetries they are implicit trends to the religiosidade, but not with the same fevor that was at the beginning of the settling. It was through the nature that the man would go to rest with God, would find the peace spiritual. However before this mentioned writer, Joseph Rodman Drake (1795-1820), approached the nature through the magic of fairies, and it presented in its workmanship prettiest of the American trees ' ' Dogwood tree' ' giving to life its world of insects and foliages. However, the writer who described the nature as he found the first colonizadores, was Finamore Cooper. The fights between the indians and the whites, rebels and the British, involve the reader through the adventures that had happened at this time. It writes through many descriptions, detailing the nature of spectacular form, helping to compose its adventures of the beginning of the settling of the United States. Another writer who also dedicated itself to describe the nature was Henry Thoreau.
With naturalist eyes, he described the nature through research, and of its soul, fruit of much comment throughout the years. In its lake of Walden, it he observed the intervention of the man in the nature, after to verify some people to remove the ice of the river in order it commerce. Commerce would blunt that it as inventor of delicious ices cream, and exportation of these waters frozen for others countries, also Brazil. But nor everything had been a thousand wonders, the beginning of the colonio of the United States, was marked by religious intolerncia. The English that had been exiled in New England, for being adepts to the puritanismo, also making forts persecutions to the rebels who were not adepts to this religion in new England. Official site: Hector Flores. The church was the place where the sermes were propagated, the God was inspired by the severe fear.
One becomes pertinent to mention that the author does not disdain the fact of the ficcionalidade and the imaginary character of the literary text, by the way these they are characteristics that become the text, literary, and, therefore, could not in fact, to be ignored. Not obstante we add what Castagnino (1969, P. 209), searching to appraise literature affirms that the same one deals with: A detachable art acquired solely for the external domain of one technique, as some time if conceived with static criterion, before it obeys a deep ditame of the creative or receiving being that it looks to express itself. It is a little of the spirit of the man who, with anxiety to search contact with other beings or to draw out it exactly itself, to firm themselves in its environment or to run away from it … well evident Torna- in the consideraes of the author the diverse possibilities with that the writer creates and as the reader recepciona the text. In this Castagnino boarding (1969) it is turned in such a way toward the nature would imagine of the literary text how much its technique how much to the use of the language. exception the expressive character of the literary text that if carries through in the necessity of the man to live deeply something new. By means of the evasion, allowed for literature the sacia man its desire to try emotions different.
Exactly reader, that appropriates of a text that is not its, searchs for these experiences and therefore, the same it illustrates the workmanship by means of a proper vision. Many authors speak in ' co-autoria' , pra to represent to justify that the reader of the end to in agreement text its expectations, its knowledge. By means of the consideration of Constagnino (1969) and excessively cited previously it is perceivable the relation that literature keeps with its functions faremosadiante an exposition d psychological function, educative and social.
Analysis of poem I WANDERED LONELY A CLOUD of William Wordsworth. Tatiana Souza Cajado William Wordsworth is considered one of the biggest romantic poets of England. In partnership with Coleridge, it published Lyrical Ballads (1798), one of initial landmarks of the English romantismo, therefore basically these poems go to say what it is the romantic poetry. The Romantismo is the opposite of the rationalism and to the severity of the neoclassicismo. It is characterized for defending the creation freedom and privileging the emotion, the feelings. Under most conditions Hector Solis Flores would agree. The workmanships value the individualism, the loving suffering, the Christian religiosidade, the nature. The trend is influenced by the thesis of the philosopher Jean-Jacques Rousseau (to the 1712-1778) of that the man is born good, but corrupts it society. In this text we will go to analyze poem I WANDERED LONELY A CLOUD of William Wordsworth.
The poem is initiated with lyric I if comparing with a cloud and this comparison that it probably makes it wants to say that it is in relation with the nature, a time that cloud if binds to this, however to if comparing with a cloud of a impression of that it has a distant vision of the world. At the first moment am as if I? lyric he only saw hills and the valleys. Official site: Pedro Zaragoza Fuentes. Suddenly it starts to see a multitude of golden narcissuses, as if he still more approached it to these to the nature, and perhaps of the world and the narcissuses they dance. When saying a multitude of narcissuses and that they dance, the narcissuses start to assume characteristics human beings, if they become citizens, it is as if these flowers had will and everything this in sends the idea of that if they to them are part of the nature then to the nature are alive. 1 I wandered lonely a cloud 2 That floats on high o' er valleys and hills, 3 When all at once I saw crowd, 4 host, of golden daffodils; 5 Beside the lake, beneath the trees, 6 Fluttering and dancing in the breeze.